About
the artist
Mel
Alexenberg in known as “Grandfather of NFT’s” since
he created experimental digital artworks for more than half a century. They
have be seen by millions and are in the collections of thirty museums
throughout the world from The Met and MoMA in New York to the Victoria &
Albert Museum in London to the Israel Museum in Jerusalem.
He has
educated generations of young artists as art professor at Columbia University,
Pratt Institute, and Massachusetts Institute of Technology. His books The
Future of Art in a Postdigital Age and Educating Artists for the Future:
Learning at the Intersections of Art, Science, Technology and Culture are
published by Intellect Books/University of Chicago Press.
NFT of
Cyberangel Flight from Amsterdam to Kyiv
I am sending
Rembrandt inspired “Cyberangels of Peace” on a virtual flight from Rembrandt’s
studio in Rembrandt House Museum in Amsterdam to the National Art Museum of
Ukraine in Kyiv.
After having
been sent on a flight around the world, my computer generated angels are back
in the great master’s studio ready for me to launch their flight into the
museum in Kyiv to bring a message of peace. Their flight will be documented as
an NFT gifted by me as the artist to the National Art Museum of Ukraine.
An NFT
(non-fungible token) is a non-interchangeable digital asset like my
artwork that documents cyberangel flight through image and narrative. The
ownership of an NFT is authenticated and stored on a database called a blockchain.
The
“Cyberangels of Peace” image that I created for the NFT shows me in period garb
next to Rembrandt’s etching press holding a cyberangel that I transformed from
black and white to the Ukrainian flag’s colors of yellow and blue. I chose to
have these cyberangels ascend into the Kyiv museum through a drawing of it on a
Ukrainian postage stamp that represents the past hand delivered messages being
transformed into future forms of Web3 technology that can instantaneously
deliver messages of peace.
My Family
in Ukraine Singing Angels of Peace
“May your
coming be for peace, angels of peace. Bless me with peace, angels of peace.”
You could
have heard more than a century ago, my grandparents Max and Lena Alexenberg and
great-grandparents singing this song with their families gathered around the
table set for the Sabbath meal every Friday night in Rivne, Ukraine.
“Peace Be
Upon You” is a traditional song that I also sing at Sabbath meals with my wife
Miriam and our family in Israel where angel flights began. We encounter angel
flight in the biblical verse: “A ladder
was standing on the ground, its top reaching up towards heaven as angels were
going up and down on it.” (Genesis 28:12) The angels in Jacob’s dream go
up from the Land of Israel and go down throughout the world heralding a message
of peace: “They shall beat their swords into plowshares, and their spears into
pruning-hooks; nation shall not lift up sword against nation, nor shall they
learn war anymore.” (Isaiah 2:4)
When
Cyberangels Were Born
Cyberangels
where born when I was listening to the ancient Hebrew words being chanted from
a handwritten Torah scroll. It described
the artist Bezalel as being talented in all types of craftsmanship to make artworks
(Exodus 35:33). The Hebrew words for “visual art” literally
mean “thoughtful craft,” a feminine term. When I transformed it into its
masculine form, it became “computer angel.”
I rushed to Miriam
to tell her that I discovered that my role as a male artist is to create
computer angels! I was equipped to create them as the head of the art
department at Pratt Institute where I taught the first course on creating art
with computers and was simultaneously research fellow at MIT Center for
Advanced Visual Studies.
Since
Rembrandt was the master at telling Bible stories with angels in his paintings,
drawings, and etchings, Miriam and I went to The Metropolitan Museum of Art to
see them. We enjoyed siting in the print
room where we were given Rembrandt’s work with angels to see up close. The Met
made photographs of them for me to digitize and create variations of them in
different media that are in the collections of thirty museums worldwide. Today,
my 1987 multimedia artwork “Jacob’s Dream” combining experimental etching,
photoetching, and computer-generated etching is in the collection of The Met
inhabiting the same print room as the Rembrandt originals.
When
Peace Comes to Ukraine
After peace returns
to the land where my ancestors sang of angels of peace, I plan to send as a
gift to the National Art Museum of Ukraine my original 1986 lithograph of
cyberangels Digital Tribute to Rembrandt that you see in my hands in
Rembrandt’s studio. When the Ukrainian postal service will return to normal, I
will send it air mail in a mailing tube with postage stamps from Israel from
where angels ascend.
By having
both the original physical artwork and NFT is becoming a current trend
described in The New York Times article “NFT Collectors Getting Real.”
It explained that NFT collectors are beginning to crave the context for their
digital collections that art history can offer through physical artworks. My
NFT coupled with the lithograph is a “phygital” artwork, a recently coined term
to describe art experiences that create a dialogue between physical and digital
art forms.
The
Smithsonian’s National Museum of American History in Washington added my
lithograph to its collection as a historic exemplar of pioneering digital
printmaking. The chairman of the Department of Social & Cultural History
wrote: "It gives me great pleasure to acknowledge, on behalf of the
National Museum of American History, the receipt of ‘Digitized Homage to
Rembrandt’ presented to our Division of Graphic Arts. This lithograph from a
computer-generated image is a most valuable addition to our collection."
The chairman of the Committee on Prints of the Museum of Modern Art in New York wrote: “The members of the committee were pleased to accept this computer-assisted etching of Rembrandt’s imagery. As an example of the innovative technological experimentation taking place at Pratt Graphic Center, it will be of great interest to students of the development of graphic techniques.”
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